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BEST COVERS OF THE '90s

Rodger and Hart's "The Lady is a Tramp" (1945)
They Might Be Giants

The Beach Boys' "Little Honda" (1964)
Yo La Tengo

The Rolling Stones' "Satisfaction" (1965)
Cat Power

Donovan's "Season of the Witch" (1966)
Luna

Burt Bacharach's "Don't Go Breaking My Heart" (1966)
The Wondermints

Simon and Garfunkel's "Mrs. Robinson" (1968)
The Lemonheads

Three Dog Nights' "One" (1968)
Aimee Mann

Sly and the Family Stone's "Everyday People" (1968)
Arrested Development

The Stooges' "I Wanna Be Your Dog" (1969)
Alejandro Escovedo

Can's "Mother Sky" (1970)
Th' Faith Healers

The Carpenters' "Superstar" (1971)
Sonic Youth

Roberta Flack's "Killing Me Softly" (1973)
The Fugees

KC and the Sunshine Band's "Get Down Tonight" (1974)
Stereo Total

Fleetwood Mac's "Landslide" (1975)
Smashing Pumpkins

KISS's "Shock Me" (1977)
Red House Painters

Wire's "Map Ref 41°N 93°W" (1979)
My Bloody Valentine

The Long Island Regional Poison Control Council's "Dangerous" (1983)
Busta Rhymes

U2's "I Still Haven't Found What I'm Looking For" (1987)
Negativland

The La's "There She Goes" (1988)
The Boo Radleys

Angelo Badalamenti and David Lynch's "Falling" (1989)
The Wedding Present

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by Neil Fitzgerald

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More Features ›

FEATURES WRITERS WANTED

Flak seeks writers to write reviews, essays and interviews for its Features section. Special emphasis on short, timely takes on major works.

No pay. Some glory. Lots of editorial back-and-forth, and a nice-looking clip for your files. Check out our guidelines for details or contact Features editor Jim Norton.



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Flak record Burt Bacharach's "Don't Go Breaking My Heart,"
performed by The Wondermints

Forget Ms. Psychic Friends Network Dionne Warwick's lame-ass B-side off "Trains and Boats and Planes."

The Wondermints, best known for writing and performing "Austin Powers" for the first movie's soundtrack, bring a lovely dreamlike quality to the song, but keep its cheesy lounge sensibility.

This version, off of What the World Needs Now: Big Deal Recording Artists Perform the Songs of Burt Bacharach, uses a phone's busy signal as its bass line and it only gets better from there. A high-pitched, dreamy vocal threads itself around '60s keyboards, gentle drumming and horns that belong in a cocktail lounge.

It's no wonder that Brian Wilson raves about The Wondermints, who often moonlight as his backing band. Its members take a modern approach to producing old pop music and, furthermore, they understand the fine line between adulation and irony and know exactly how to straddle it, which makes this cover so excellent.

Sure, it's still cheesy, but would you want Burt Bacharach served any other way?

Stephanie Kuenn (smkuenn at gmail dot com)

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Also by Stephanie Kuenn:
Sundance
Sitcom character or dictator?
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